New Orleans music icon Dr. John could finally be in the right place at the right time, to borrow from one of his best-known songs, with media reports that he will be inducted into the Rock and Roll Hall of Fame next year.

The New York Times and Rolling Stone report that Dr. John, the New Orleans funk and rock pianist, guitarist and composer whose real name is Mac Rebennack, is one of the 2011 inductees. The formal announcement will come Wednesday morning.

“I was very surprised.  It’s very gratifying,” Rebennack told Rolling Stone’s Andy Greene.  “So does this mean that I’m going to get duct-taped to the walls of the Hall of Fame?”

Rebennack added that he would have to give some thought to what he would say to accept the honor in March at the New York induction ceremony.

“I have never given a speech in my life. I can get in a certain mode and talk a lot, like I did after Katrina and the BP oil spill. This’ll be different, so I’ll have to wing it and hopefully I’ll do all right,” he told Rolling Stone.

Neil Diamond, Alice Cooper, Tom Waits and Darlene Love are the other inductees, according to the reports.  They were selected from 15 nominees announced in September.

Dr. John joins a who’s who of New Orleanians who have been previously inducted into the Hall of Fame, including Louis Armstrong, Fats Domino, Allen Toussaint, Lloyd Price, Earl Palmer, Dave Bartholomew, Mahalia Jackson, Professor Longhair and Jelly Roll Morton.

This year, the Hall of Fame also designated the former site of Cosimo Matassa’s J&M studios in New Orleans as a Rock and Roll landmark. Rebennack and many other seminal figures in the history of rock and roll recorded early hits there.

Continue at WWL

 

Although he finds himself in it from time to time — such as when he ended up onstage at the Oscars with his “Hurt Locker” co-stars during March’s Best Picture presentation — actorAnthony Mackie doesn’t seem to seek the spotlight.

He’s just fine taking quieter, less-flashy roles in quieter, less-flashy films. They’re the kinds of roles that fly under the mainstream radar, but still showcase the New Orleans native’s acting chops.

The period drama “Night Catches Us” is such a film. It represents the rare lead role for Mackie, and he seizes the opportunity, convincingly playing the part of a soft-spoken former Black Panther named Marcus who, after a four-year absence, returns to his hometown of Philadelphia amid the racial turmoil of 1976.

Continue at the TP

 
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The Barre family along with Bounce Nation, a New Orleans-based nonprofit organization, bounce artists Sissy Nobby, Big Freedia and Crowd Mova Crystal as well as community activists  Sess 4-5 will be holding a public rally/candlelight vigil at Nuthin’ But Fire Records to celebrate the life of Anthony Barre (December 15, 1987-November 14, 2010) known as Messy Mya.

As Messy Mya, Barre was a well-known New Orleans bounce artist, comedian and Internet video star. The 22-year-old was known for his razor sharp comedy routines and his YouTube videos, numbering more than 100, which have attracted more than a million hits worldwide.

Barre was gunned down at a block party after leaving his girlfriend’s baby shower on Sunday, November, 14. News of his tragic death traveled within minutes as onlookers snapped pictures of him lying bleeding on the ground. These horrific images were shared online on sites like Twitter and Facebook. Celebrities such as Kimora Lee-Simmons, Nicki Minaj and Chris Ocho Cinco have spoken out on Twitter about the New Orleans native’s murder and the callous, disrespectful manner the gruesome pictures were circulated in cyberspace.

“I don’t want my brother’s death to be just another unsolved homicide in New Orleans. Hundreds of people were at that party so I know somebody saw who killed him and what happened,” said his sister, Anjelle Barre, who will be speaking at the rally. “He was a talented person and loved by many. He was about to become a father. Enough is enough. Please stand with the Barre family in speaking out against my brother’s death and senseless violence.”

The vigil will be held this Friday November 19th at 4 p.m., Nuthin’ But Fire Records, 1840 N. Claiborne. The Barre family is asking that everyone in attendance wear black. For more information, call 256-2400.

From Gambit

 

New Orleans resident, Sean Yseult, interviewed in LA Weekly about her new book:

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We’ve often referred to ourselves as the “Where’s Waldo” of L.A. music and nightlife, and now that our pal Sean Yseult has released her new book, I’m In The Band- Backstage Notes From The Chick In White Zombie, we really feel that way.

Yseult, who was a founding member and bass player for White Zombie, has compiled old photos and scrapbook style mementos and ephemera from her time with the popular art-metal band for the tome, and yours truly makes a couple of look-hard-and-you’ll-spot-us appearances.

We became friends with this talented lady when she moved from N.Y. to L.A., which was also when her band took off. It was fascinating to see the group as a whole transition into superstardom. (Zombie were one of the last bands in heavy rotation on MTV, just before the channel ceased regular video clip play.) The usual challenges–record label bullshit and frontman ego–caused the band to implode around ‘98, and we might be biased, but we think that even when things got personal, Yseult kept it admirably classy throughout.

She does so in the book as well, focusing on the best parts of her wild rock n’ roll ride. In addition to tons of Yseult’s personal photos, the book offers tour diaries, flyers (all the way back from when she and then-boyfriend Rob Zombie first conceptualized the band in Lower Eastside New York) plus commentary and coverage about the bands they toured with: The Cramps, The Ramones, and Motorhead to name a few. It’s not only a chronicle WZ fans will enjoy, it’s a colorful and honest look at band life from a female perspective in general.

The book’s name is obviously a play on the title of Pamela Des Barres’ groupie bible, but it also refers to the fact while in Zombie, Sean was constantly having to tell security and the like that she was actually in the band. And when she wasn’t doing that, she was having to tell girl groupies that she was in fact a “chick,” not a long-haired, effeminate “dude.”

She’ll be in town in a few weeks to promote the book, first, for in-store party at Wacko/La Luz De Jesus, Tues., Dec. 7, then at Book Soup, Wed., Dec. 8, and finally for a guest DJ gig (along with former Zombie drummer Johnny Tempesta) at Metal Army Night at Three Clubs Thurs., Dec. 9.

Wthin: a little Q&A about the book, Zombie life and what she’s up to now.

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Where’s Nightranger?

Why did you decide to do the book?

It was inspired by our White Zombie boxset. A couple of years ago I was informed that we were finally releasing a boxset with all of our history–the very first seven inch to the last record. Management asked me for all of my Zombie video footage to add a DVD, and I began to dig out the boxes out of storage. After more than ten years, what I found was mind-blowing. I not only had saved all of our old vinyl and bootleg videos, but there were piles of tour diaries, photo albums, laminates, notebooks, my old journals of booking tours, everything that covered the history of our career. When we met in design school, I was a photo major, so I took photos of the band and me and Rob since day one. While I was sorting through this treasure trove, [guitarist] J. and I were told the boxset was already in print without our input–no liner notes, no history, nothing. That was a shame, because J. also had 10 boxes of amazing history. Shortly after the release, I began receiving tons of mail from fans who felt robbed–they had been waiting so long for something comprehensive, some insight into the freakshow that was Zombie, and they received none. I knew I had to do something with all of my material, and tell my story of White Zombie. Having been the other co-founder of the band, I was the only person besides Rob who could tell the story from beginning to end. Of course it’s from my perspective, but I also include input from many members and ex-members of White Zombie, as well as some key players along the way. I spent the first year writing, photographing, and scanning items to create the book, and the second year writing more and gathering writings and photos from others. It is exactly how I envisioned it: a collaged coffee table book, with a lot of commentary.

Why did White Zombie really break up?

Why does any band break up? Members aren’t getting along, everyone’s worn-out, lead singers want to go solo, all of the stereotypical reasons. J. and I felt like we had more riffs and songs in us, but Rob was already finishing up his solo record when we had “the phonecall.”

What was it like playing in a band with your boyfriend and then ex-boyfriend?

When we were a couple for the first seven years, it was us against the world. We worked hard together 24/7–me doing logos, typography, and layout, him drawing imagery, me writing riffs, him writing lyrics. Pressing our own records, booking our own tours. It never stopped. All four of us were like a gang. We practiced constantly, toured in a van that we all slept in when there wasn’t a floor, went flyering with wheat paste at 4am. Notice how quickly I include the band–that reflects our relationship–it was all Zombie, all work, and exactly what we wanted. Once members of our fucked-up family started getting replaced, and the label started taking over many of our jobs, things weren’t quite the same. We broke up, and touring together was still fine. But shortly after, Rob met a fan and things changed. I didn’t mind at first, but it escalated into childish nonsense and Spinal Tap moments that none of us want to relive–haha!

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What is your relationship with Rob now and how do you think he’ll feel about the book?

He hasn’t spoken to any of us for years–his choice, not ours–so I have no idea what he thinks of this book. After his solo record, the press asked him a similar question in regards to me and J., and he responded with a rather negative retort, “I don’t give a rat’s ass.” I guess I would have to return the sentiment if he had any issues with the book, really. I have no idea if he will like it or hate it or just ignore it since I decided not to “let sleeping corpses lie,” as he seemed to have wanted with the boxset.

What were high points of your time with White Zombie? How are they chronicled in the book?

It was definitely crazy when La Sexorcisto started climbing the charts, and those tours during that time with bands like Pantera and Anthrax were such a blast! Of course, playing in front of 80,000 people at Castle Donnington–or 300,000 people in Rio de Janiero–were extreme high points. It’s hard to explain the adrenaline rush you receive from that many screaming people! I have photos, laminates, tour diaries and present day commentary on all of these events in the book.

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What are you up to these days?

Although I’ve spent most of the past two years on this book, my design companyyseultdesigns.com has done well. My home decor pieces were added to Barney’s last year, and I’ve acquired fans from Kate Hudson to Anna Sui–even the great Helen Mirren, who are all women I have huge respect for, so that’s nice! I’ve also had two great shows in the past year with my photography, which I love getting back to after all of these years. My band Rock City Morgue just played VoodooFest and I’m in the middle of recording sessions in Joshua Tree with my new band, Star & Dagger. My husband (Chris Lee of Supagroup) and I recently sold our bar, the Saint, which kept us occupied for a while, so you could say I keep busy.

What do you think White Zombie’s legacy in music will be–or is at this point?

I always think of us as the band that straddled metal and alternative–always too weird for metal and too metal for alternative. It should be for being the only band to start off as an art/noise band at CBGB’s and to then make it as a headlining arena metal act! But our legacy will probably be “the band that Beavis and Butthead said was cool!” They had great taste so that’s fine with me.

From LA Weekly

 

Trailer

New Orleans-born pianist Henry Butler is one of the featured artists in the documentary “Dark Light: The Art of Blind Photographers,” airing at 7 p.m. Wednesday (November 17) on HBO2.

Butler, who lost his sight to infantile glaucoma, is filmed taking pictures around the French Quarter with the help of an assistant. The documentary also visits his gutted New Orleans home, flooded by Hurricane Katrina levee failures.

Neil Leifer, acclaimed shooter for Sports Illustrated, Time and other outlets, is the filmmaker. Other blind photographers profiled are Californians Pete Eckert and Bruce Hall.

From the TP

 

Correction Department spokesman Stephen Morello says Lil Wayne was moved into what jail officials call “punitive segregation” on Monday. It’s the punishment for stashing a charger and headphones for a digital music player in a potato chip bag in his cell.

While before he was allowed to spend most of the day mingling with other prisoners, the performer will now usually be confined to his new cell 23 hours a day and kept apart from other inmates during recreation time.

The rapper, born Dwayne Carter, has been in jail since March and is expected to be released Nov. 4. He pleaded guilty to attempted criminal possession of a weapon. His lawyer did not immediately comment Monday.

(TP)

 

NEW ORLEANS –  Chef John Besh’s two restaurants were spared when Hurricane Katrina barreled through New Orleans five years ago, but the storm almost wiped him out anyway.

Besh had just taken out a large loan to pay off his partners when the storm shut him down and sent his customers looking for dry ground.

“We came back fast and furious, but we were here with a refrigerator full of food and no one to cook it for,” Besh recalled.

At the suggestion of an old Marine Corps buddy, Besh decided to cook the food and serve it to stranded residents and first responders brought to New Orleans by the hurricane. That effort led to Besh’s latest commercial endeavor — ArkelBesh — in which he has partnered with Arkel International to create high quality ready-to-eat meals that will be distributed to emergency response teams.

It’s the most direct outcome of the 2005 storm for Besh, but only a small part of his growing empire that includes several new restaurants, a James Beard award, TV appearances and cookbooks.

“In retrospect, things worked out really well,” Besh said. “But no one thought it would at the time.”

Besh, whose likable persona is a mix between southern good old boy and friendly boy scout, is now involved in six New Orleans-area restaurants — August, Besh Steak, La Provence, Domenica, Luke and American Sector — with a seventh, Luke River Walk, to open in two weeks in San Antonio.

Except for his earliest outposts, August and Besh Steak, all were established with a corps of chefs who returned to New Orleans help him get back on his feet after Katrina.

“They had all lost everything, but they came back to help me,” Besh said. “Working together through that time created an esprit de corps. These guys realized if we worked together we could move ahead.”

One in that close-knit crew, Chef Steve McHugh, was diagnosed with cancer and went to San Antonio for treatment. Besh said McHugh fell in love with the city, and will now be at the helm of Luke River Walk.

“It was a life-changing event for all of us,” said Alon Shaya, who was the chef at the steak house before the storm. “I had only known John for a short time, and we really just had a professional relationship. But I tell you, when we were stirring pots of red beans in his driveway at four in the morning, it created a bond for all of us.”

Preparing food and delivering it to hospitals, rescue workers and stranded residents — and “every civil servant in St. Bernard Parish for a year-and-a-half,” was the start of everything that followed, said Shaya, who now leads Domenica.

Simone Rathle, who until recently handled Besh’s publicity, said a Katrina fundraiser Washington, D.C., shortly after the hurricane, was one of the first things to put Besh on the national radar.

“He hadn’t shaved, he was tired, he knew what was going on in the city, and everyone wanted to talk to him,” Rathle said.

That day Besh and the other 19 chefs making po-boys, the traditional New Orleans sandwich, raised $27,000 in two hours, Rathle said. But the event also made Besh a spokesman for his stricken hometown.

Since Katrina, Besh has won the James Beard Foundation Award for Best Chef in the Southeast in 2006 and more than 100 other honors, including those from Food Arts and Gourmet Magazine, for his cooking and restaurants.

Continue at Fox

 

As Troy McClure would say, you might remember Harry Shearer from such Simpsons voices as Ned Flanders, Reverend Lovejoy, Mr. Burns, Waylon Smithers, Otto the Bus Driver, and Kang the Alien Octopus. You might also know him as the bassist from the heavy metal bandSpinal Tap, author of the novel Not Enough Indians, and host of the radio show ”Le Show,” a one-man vocal circus in which Shearer talks politics with angry callers, insane guests and top-tier celebrities, all of them played by Shearer himself.

This week Shearer shifts gears, with the release of his new documentary The Big Uneasy, a serious, scientific look at how New Orleans flooded. With an investigative reporter’s focus, Shearer hones in on the Army Corps of Engineers, the government agency that built the faulty levees that collapsed during Hurricane Katrina, flooding 80 percent of the city, killing more than 1,400 people.

The film features stunning internal memos, scientific reports and an interview with an Army Corps whistleblower to show that the Corps knew its levees were faulty and did virtually nothing to fix them. Instead of retrofitting the levee’s walls and drainage system, the Corps spent millions on a public relations campaign trumpeting its own competence. It went to court to force a private company to install faulty levee walls, though the company objected, saying the walls would collapse in a storm.

The film ends on a chilling note: with congressional testimony from a top Army Corps official who tells Louisiana’s senator, the Corps has no intention of fixing the long stretches of faulty levee walls that surround New Orleans today.

Shearer spoke with me about his movie, his radio wizardry, and the anger stirred by an American media that came to his new hometown but somehow overlooked the Army Corps’ role in flooding it.

Kors: You’re known for voicing goofballs, imitating celebrities, playing rock ‘n’ roll in a wig. This documentary, it’s a big departure for you.

Shearer: It is. I do comedy for living. This is very different. But I love this city. And when you see a loved one get mugged, you don’t walk away. Two teams of investigators spent a year doing forensic investigations on the flood, the levee collapse and I thought, “I have to get this out there.” People need to know that, despite what they may have heard, this was a man-made disaster.

Kors: Now, you’re originally from Los Angeles, then came to New Orleans in 1988. How did New Orleans come to be your hometown?

Shearer: Ah, they say, “You don’t adopt New Orleans — New Orleans adopts you.” There are few people who come because their boss transferred them here. This is a city of people who are here by choice, which makes the affection run that much deeper.

Kors: On your radio show, and now in this movie, you focus on the media, examining how the journalists erred so badly, reporting that this was a “once in a generation” storm when in reality, by the time Katrina hit New Orleans, the hurricane was relatively weak, between Category 2 and Category 1, the weakest of all hurricanes. How did the media get it so wrong?

Shearer: I think there are a few reasons. First, the final report with those findings came out much later, so it slipped past a lot of people’s radar. When the reporters were here, they interviewed a few officials, then went to air. They didn’t talk to the scientists, the experts who knew what really happened. The people here that were saying the Army Corps’ levees were weak, they were made to look like kooks, colorful local folk, which made it all sound like folklore. I wanted to talk to the scientists who knew what they were talking about, who could tell me exactly what happened.

Continue at Huffington

 

DENVER — Former FEMA Director Michael Brown is taking his Denver radio show on the road for live broadcasts from New Orleans in advance of Sunday’s fifth anniversary of Hurricane Katrina.

Brown will broadcast his political talk show on Wednesday and Thursday evening. It airs on KOA-AM.

Brown headed the Federal Emergency Management Agency when Katrina hit. He became a target of the outrage over the government’s response when former President George W. Bush told him with the media present: “Brownie, you’re doing a heckuva job.”

Brown says in a new HBO documentary on Katrina by director Spike Lee that he winced when Bush said that because he had just finished telling the president why things weren’t working.

From the AP

 

On the sea, it doesn’t matter that Kha Van Nguyen knows few phrases of English. On his 92-foot boat he is Captain Nguyen, a man who understands the subtle clues of the wind and water.

He doesn’t dwell on the backaches that remind him he’s no longer a young man. He dreams of discovering a huge school of shrimp so he can shout to his deckhands, Chien thang! Victory!

But on shore, the 61-year-old Nguyen is restless, ill at ease. That’s how he has felt since the Deepwater Horizon rig exploded in April and oil began gushing into the Gulf of Mexico, forcing him to dock his boat.

Like many Vietnamese who live along the Gulf Coast, Nguyen is no stranger to catastrophe. He survived the Vietnam War, fled his homeland and started life anew in New Orleans, only to see Hurricane Katrina in 2005 flood his house and destroy his boat.

With every turn, the ocean welcomed him back, allowed him to make his own rules and reinvent himself. But this time feels different.

The long-term effects of the oil spill remain unknown, even if the flow has been halted. And though some Vietnamese refugees transitioned to jobs on land, others always have made their living at sea, whether those waters lapped against the shores of Vietnam or Louisiana.

“For the majority of Vietnamese who chose this path in life, this is all we know how to do to survive,” Nguyen said in Vietnamese. “Outside this, we don’t have any other experience. The future looks very dark.”

**

An estimated one-third to a half of the fishermen in the gulf are Vietnamese, living in clusters from Palacios, Texas, to Gulf Shores, Ala.

If Orange County’s Little Saigon — with its restaurants, jewelry stores and doctor’s offices — conjures up images of the cosmopolitan former capital of Vietnam, Nguyen’s community in New Orleans is like Vung Tau, the rustic coastal village where he grew up.

Nguyen fondly calls this area lang, a word describing Vietnam’s rural parishes. About 5,000 Vietnamese live in the 2-square-mile area surrounding the Mary Queen of Vietnam Catholic Church. On Saturdays, people hawk bitter melon, Thai basil and water spinach grown in their backyards at a neighborhood street market. Like villages in Vietnam, everyone seems to know everyone.

Nguyen learned to catch shrimp using bamboo traps in the murky waters along Vietnam’s southern coast from his father, who learned from his father. As a teenager, Nguyen studied how the moon shaped the waves that shaped the path of the shrimp.

After the 1975 fall of Saigon, Nguyen escaped by sea, captaining a fishing boat carrying his pregnant wife, young daughter and dozens of family members. An American vessel rescued the boat and brought the passengers to Guam.

The family made its way to a refugee camp in Arkansas — where a second child was born — and then to Port Arthur on the Texas coast, where Nguyen, then 26, began working as a janitor and truck driver for a lumber company.

“I didn’t feel it was my full potential,” he said. “I wanted to do something where I could fly, jump, yell, stretch myself.”

Nguyen found a gig as a deckhand for a shrimper, who was impressed with his knowledge of the sea. His wages were nearly 10 times what he made with the lumber company.

“I felt like I could choose my own future,” he said. “It didn’t matter that I didn’t know much English or that I didn’t go to school. The money would come. All I needed were my two hands.”

Nguyen moved his family to New Orleans after visiting an uncle there. He liked the swampy climate that was a reminder of Vietnam’s tropical heat and bought his first boat, a 30-footer, purchased with the help of donations from friends and family.

Nguyen loved watching the sun creep up on the face of the ocean. He found trawling shrimp in the gulf much easier than off Vung Tau, where fishermen relied on their memory of the position of three tall mountains instead of radar systems.

**

Word of the opportunities in the gulf spread among refugees, and, in time, thousands of Vietnamese fishermen and shrimpers — many who lived in the same fishing villages in Vietnam and whose fathers and grandfathers were also fishermen — moved to its bayous.

Nguyen spent most of this time at sea or with other Vietnamese fishermen. The life allowed him to raise nine children and help two of them buy houses, neat brick homes right next to his.

Nguyen relied on his eldest daughter to be the interpreter when he negotiated with shrimp vendors. Over the years, Anh, now 37, also helped her father with bookkeeping and picking up equipment.

“Growing up, I saw how hard this profession was for him,” she said. “But he has a passion for it. He talks about it all the time. He understands the sea. He feels it.”

So when the oil spill hit, Nguyen was one of thousands of Vietnamese fishermen who did not know where to turn. Many learned after the fact that BP had hired vessels to help scoop up or burn off oil. He found it difficult to understand company documents in English.

BP initially did not hire many Vietnamese translators to help with hiring or the filing of claims, but since then the company has conducted town halls and opened offices staffed with Vietnamese.

On a recent weekday, Nguyen and about 300 other Vietnamese attended a community meeting with BP officials and other agencies at a New Orleans Asian buffet restaurant.

Nguyen went around the room shaking hands with his fishing buddies. There was Khoa Nguyen, a crabber for 27 years, who worried that it could be years before shrimp and fish return to the contaminated gulf waters. There was Chinh Nguyen, a tuna fisher for 20 years, who is thinking of selling his boat but doesn’t know whether he can.

Experts disagree on the long-term effects on sea life from the crude and dispersants in the gulf, and many say the effect may not be known for years.

On an index card for the question-and-answer session, Nguyen wrote in Vietnamese: “If the situation continues for three to five to 10 years, what can we do for our future?”

An official’s answer was repeated in Vietnamese: If the $20-billion BP claims fund is used up, there is the possibility that more money would be committed. Continue filling out forms, she said, and keep abreast of developments.

Nguyen left the meeting unsatisfied. Yes, he could fill out forms, but when could he go back on the water? What if he can’t make as good a living anymore? He’d heard murmurs that Louisiana waters were slowly being opened for shrimping, but he figured it wasn’t a good bet to spend thousands of dollars getting his boat ready if the catch wasn’t guaranteed.

He returned home and finished reading a Vietnamese-language newspaper. He watched Vietnamese-language satellite TV with his wife in the living room, where he had installed shiny new tiles and decorated one wall with large statues of the Virgin Mary after Hurricane Katrina.

He’s been watching a lot of TV lately. There’s not much else to do. Over the winter, he’d already finished fixing the backyard fence and repairing the kitchen cabinets, anticipating he would be out shrimping this summer.

Now, he sometimes finds himself wishing grass grew faster so he could mow it again and have something to do.

As his friends have gotten older, Nguyen said, he saw many of them len bo, or climb onto shore, especially after Katrina. That is how Nguyen describes abandoning a career in the ocean. He suspects many more will now follow.

Nguyen wonders whether he should do the same. After more than three decades of reeling in heavy nets and hauling hundreds of pounds of shrimp, his muscles are weaker and the pain in his spine will not go away. He spends a few days a week at a chiropractor.

He misses his wife on trawling excursions, which can stretch for two weeks, and it’s been harder to turn a profit with the price of shrimp falling and the cost of fuel rising. Two sons work for him, and he worries that their future in the ocean seems less bright.

But good luck hasn’t followed him on land. Nine years ago, he invested in a Vietnamese market for his two eldest children to run, but it wasn’t profitable. After Katrina destroyed his boat, he became a part-time furniture salesman but didn’t enjoy working for someone else.

So, as he sits at home, he still dreams of being back on the water, of being Captain Nguyen.

(LA Times)