1st Annual Bounce Festival!

1ST ANNUAL BOUNCE FEST:

SATURDAY MARCH 6, 2010

800 JACKSON AVENUE @ ANNUNCIATION ST.

GATES OPEN AT 12 NOON TILL 9PM

SHOW LINE UP:——

12PM- TO 1PM MEET AND GREEK

1:00PM GOSPEL – T.L JAMES
1:40PM R&B – ROCA B
2:35PM RAP – SESS 4.5
2:55PM RAP – PROJECT LEAGUE
3:15PM FLY BOI KENO
3:35PM MS.TEE
3:55PM S.W.A
4:15PM WALT WIGADY
4:35PM J.ROCK
4:55PM SMITTY OUT THE CITY
5:15PM JAVOCA
5:35PM GOTTY BOI CHRIS AND ELM BOI PEG
5:55PM GAME OVA BOYS
6:15PM D.J JUBILEE
6:35PM FLIPSET FRED

7:00PM “CATCH DAT BEAT” THE PLAY *LIVE*
STARRING: BIG FREDDIA, 10TH WARD BUCK, 9TH WARD MONSTA, KATEY RED, MAGNOLIA SHORTY AND SISSY NOBBY…

8:10PM SECOND HALF OF “CATCH DAT BEAT”

TICKETS $7 IN ADVANCE
$10 AT THE GATE

CONTACT LUCKY @ (504) 913-5153 FOR MORE INFO….

Check for more details: http://nolabounce.com/?p=338

Posted via email from Defend New Orleans | Comment »

 

DJ RUSTY LAZER BOUNCE MIX ON SOUNDCLOUD

Rusty Lazer is a DJ from New Orleans, Louisiana that
specializes in the street music of his adopted home town.

Following in the tradition of the second line parades and block parties that make New Orleans famous, Rusty Lazer spins songs from the three hundred year old repertoire of street music this decadent city has to offer. In a single set, dancers are likely to hear the hypnotic beat of the Mardi Gras Indians, Hot Jazz from the early 20th century, Twists from the 50’s, Soul and R&B from the 1960’s and 70’s, Brass Band jams stretching across all of these eras and even the modern block party sounds of Hip Hop and Bounce Music (a particular invention of local musicians that manages to feature all of these styles rolled up together with an ass shakin’ beat!) along with mash-ups of all of the above created by Rusty Lazer himself. In addition, he moves across multiple unrelated genres (electro, bizarre 80’s, new wave, international ghetto beats, dance punk and metal) as well in a kind of “kitchen sink”, but always danceable, fashion. Other Music Records in New York calls his set “a sweaty, mega-mix crash course in the hard and nasty sound of the ‘Nolia (New Orleans). Rusty Lazer ain’t for the prudes, but it’s some of the most infectious dance music you’ll ever hear if you’re not familiar.” He has performed at clubs, art galleries, benefits, guerilla public events, and created soundtracks for circuses, plays and performance art spectacles in museums and galleries throughout Europe, the U.S., China and Japan. Rusty is currently working live with “Sissy Bounce” (queer/transgender) superstars Big Freedia,Katey Red and Sissy Nobby, whose songs are at the top of the local radio charts and heard on the streets at every block party.

In 2009 Rusty performed for Deitch Gallery at Art Basel in Miami, at multiple benefit shows for Swimming Cities of Serenissima by installation artist Swoon, at many New York clubs with Big Freedia and at SXSW events such as Gadjo Disko and Gay Bi Gay Gay in Austin.

2010 will see more of the same as Rusty and Freedia head to Los Angeles and San Fransicsco with New Orleans band Galactic, performing at the El Rey and the Fillmore. A team of talented people Rusty works with are spearheading a retrospective Bounce Showcase at SXSW, as well as a return to Gay Bi Gay Gay. In addition several documentary projects featuring Bounce artists will be released this year, foremost of which is a VBS (Vice Magazine’s Online Video Site) Produced Bounce snapshot featuring DJ Jubilee, DJ Blaqnmild, Sissy Rappers and much more.

http://soundcloud.com/rustylazer

 

Interview with Big Freedia, NOLA Bounce Diva

THE FADER

A few weeks ago, New Orleans bounce star party-starters Big Freedia and Sissy Nobby stormed NYC, playing about five shows in as many days to packed crowds. This was significant in a city that, just a few years ago, was barely open to the idea of Southern rap, much less a highly localized, booty-centric offshoot built entirely on the same three beats. While she was here, Big Freedia made some time in her busy schedule to answer all our questions about her NOLA domination along with Nobby and Katey Redd, why you shouldn’t call it “Sissy Bounce,” and how you can’t deny the energy of New Orleans bass.

 

Rapper Corey “C-Murder” Miller — a former No Limit rapper and the youngest brother of Master P (Percy Miller) and Silkk the Shocker (Vyshonn Miller) — was found guilty of second-degree murder on Tuesday (Aug. 11), a verdict stemming from a fan shooting that dates back to 2002. He faces a mandatory life sentence in prison.


Miller had been charged with killing 16-year-old Steve Thomas at a New Orleans, La., nightclub. According to the New Orleans Times Picayune, a jury handed down a 10-2 verdict in the morning but Judge Hans Liljeberg called for more deliberation after questioning the validity of one juror’s vote. After returning to the deliberation room, a second guilty verdict was reached in the afternoon. A defense motion for a mistrial was denied by the judge.

Miller was first brought to trial for Thomas’ murder in 2003, and he changed his rapper name from “C-Murder” to “C-Miller” in the wake of the charges. He was found guilty and received a life sentence, but that verdict was tossed by the Louisiana Supreme Court in 2006; the rapper was subsequently put under house arrest.

In May, Miller pleaded no contest to separate, second-degree attempted-murder charges after pulling a gun on a bouncer at a Baton Rouge nightclub in 2001.

“Life or Death,” Miller’s 1998 debut album, arrived and peaked at No. 3 on the Billboard 200 and sold 1 million copies, according to Nielsen SoundScan.

From Billboard

 

REST OF THE WORLD FINALLY CATCHING ON TO BOUNCE

«««<AN ARTICLE PRINTED IN THE GUARDIAN (UK) 2 DAYS AGO»»»>

Two and a half years ago I travelled to New Orleans and spent a week meeting bounce DJs and going to bounce clubs. It was there I discovered that the mass exodus caused by Hurricane Katrina was helping this largely localised and insular hip-hop scene spread to surrounding cities.

Bounce has been around since the early 90s and is known for its repetitive, raw, jittery beats and repetitive, simple, often sexually explicit lyrics. It’s music for girls to bounce their bits to and they often obligingly do this. Search for “New Orleans bounce” on YouTube and you’ll be met with more frantically jiggling bum cheeks than the back window of an away team rugby coach heading back home after scraping a narrow victory with an illegal try.

The beats in bounce tracks are almost exclusively made up of samples from two tracks: UK rapper Derek B’s Rock The Beat and Showboys’Drag Rap. This gives the genre a very distinctive sound.

The simple call-and-response and club-chant style of bounce rapping, and many of the catchphrases, were borrowed by crunk acts like Lil Jon and Three 6 Mafia, who subsequently became much more famous than their New Orleans counterparts.

CONTINUE READING VIA THE GUARDIAN > > >

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