“The Real World: New Orleans” production company scouted three homes, including one in the French Quarter, before settling on the Uptown mansion of former New Orleans Hornets star Baron Davis as its set.

It’s a departure from recent seasons, in which the pioneering reality-TV series has housed its cast of young people and the cameras that document their every move inside a movie-set-style apartment built inside an industrial space.
“My last few seasons, the show has always been shot in a large commercial space which we actually create, ” said Charles Aubrey, freelance production designer for Los Angeles-based Bunim/Murray Productions, which created the series in 1992. “We actually create bathrooms, bedrooms, kitchens, all that.”
Not so for the upcoming New Orleans season, the series’ 24th, set to debut at 9 p.m. Wednesday.
“This one we did a little light remodel and kind of redecorated, ” Aubrey said.
And that bit of understatement is the only understated thing about the “The Real World: New Orleans” house, located in the 1600 block of Dufossat Street.
Or rather, it was. All of the colorful-unto-dizzying decor was stripped, salvaged for re-use or discarded immediately after filming wrapped in late April.
But a tour of the house a few days before shooting concluded showed it to be a New Orleans tourist’s fever dream of themed rooms dedicated to voodoo, cemeteries, food and Mardi Gras misbehavior.
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Garish? Unreal? A cliche-perpetuating pastiche?
Yes. Of course. Why not?
It’s the set of a television series targeted at teenage and young-adult viewers (the show has more than 230,000 Facebook friends), intended to deceive and please and frame the hijinks that are sure to occur.
In this “Real World, ” good taste comes from a keg, bro.
Local artists showcased
One of the most striking elements in the house was a scaled-down facsimile of a St. Charles Avenue streetcar, located in the entry area and built to spec to tie several rooms together, its front end a light box displaying a photo of the interior of a real streetcar.
“We were trying to figure out what we could do in that narrow little space, ” Aubrey said. “We talked about maybe doing the pool table there. We talked about putting a steamboat in there.
“At first we tried desperately to find actual streetcar parts to use to build this thing … but we hit a dead end, and we built it all from scratch.
“Thinking outside the box, we wanted to try to cram as much of New Orleans into this house as possible.”






